Accused of Copyright Infringement Over One Item in an Amazon Bundle? How Damages Really Work
Quick Answer
If only one design in a multi-item Amazon bundle is accused of copyright infringement, your real exposure is usually far lower than the claimant's demand letter suggests. Statutory damages are awarded per work, not per unit, and range from $750 to $30,000 unless willfulness is proven. They may not be available at all if the work was registered too late. If they are not available, the owner can recover only the profits attributable to the one accused design, not the profits on the whole bundle.
The Typical Scenario
A seller lists a bundle of enamel pins, stickers, patches, or charms sourced from a wholesale supplier. Months later, a copyright owner files a Schedule A lawsuit naming dozens of storefronts. Amazon freezes the account, and a demand letter arrives citing the $150,000 statutory maximum and asking for $25,000 or more to settle.
What the letter usually leaves out is that only one design in a bundle of twelve or sixteen is accused. It also rarely says when the work was registered.
1. Statutory Damages Are Per Work, Not Per Sale
Under 17 U.S.C. § 504(c)(1), the copyright owner may elect statutory damages of $750 to $30,000 for all infringements involving any one work. Selling 3,000 bundles containing one accused design is still one work.
The award can rise to $150,000 only if the owner proves willful infringement. The court may reduce the award to as little as $200 if the seller proves it was not aware and had no reason to believe its conduct was infringing. 17 U.S.C. § 504(c)(2). The amount within the range is decided by a jury. Feltner v. Columbia Pictures Television, Inc., 523 U.S. 340 (1998).
Practical point: A demand above $30,000 for a single work assumes a willfulness finding. For a reseller that bought finished goods from a supplier's catalog, that assumption deserves a challenge.
2. Ask for the Registration First
Under 17 U.S.C. § 412, statutory damages and attorney's fees are not available for infringement that began before the work was registered, unless registration was made within three months after first publication.
Before discussing numbers, ask the claimant for:
- the registration certificate and effective date of registration;
- the date of first publication;
- the deposit copy and chain of title; and
- any license agreements showing what the owner actually charges for the work.
If § 412 applies, the claimant is limited to actual damages and apportioned profits and must pay its own lawyers. That changes the settlement math dramatically.
3. Apportionment: The Owner Gets Only What the Accused Design Earned
Under 17 U.S.C. § 504(b), the owner may recover only the infringer's profits attributable to the infringement. The owner proves gross revenue, and the seller proves its deductible expenses and the portion of profit caused by other factors. Where the accused material is one part of a larger product, profits must be apportioned. Sheldon v. Metro-Goldwyn Pictures Corp., 309 U.S. 390 (1940).
A simple illustration
Consider a hypothetical 16-pin bundle that sells 3,000 units for $35,000 in gross revenue:
| Item | Amount |
|---|---|
| Gross revenue | $35,000 |
| Product cost (about $4.50 per set) | −$13,500 |
| FBA, referral, and inbound fees (about $5.20 per set) | −$15,600 |
| Advertising | −$1,400 |
| Net profit on the whole bundle | $4,500 |
| Share attributable to 1 of 16 designs | about $281 |
A $25,000 or $35,000 demand is measured against that figure, not against gross sales.
4. Willfulness Is Not Automatic
Willfulness requires knowledge of infringement or reckless disregard. A seller that bought finished goods from a supplier's standing wholesale catalog, did not design or commission anything, and never heard of the claimant has strong facts against willfulness.
Keep your supplier invoices, catalog pages, and purchase records. They are often your most important evidence. Note that if the original work carried a proper copyright notice that the seller had access to, the innocent-infringer reduction to $200 may be unavailable. 17 U.S.C. § 401(d).
5. Liability Is Not a Given
Copying alone is not enough. The owner must also show substantial similarity in protectable expression. Stock ideas, such as a cartoon dinosaur or a common comic concept, are not protected by themselves. Only the owner's original expression is compared. Ask the claimant to identify, by image, the exact design it claims is infringed.
6. When the Demand Goes Up After You Counteroffer
A tactic we see in Schedule A cases goes like this: the claimant opens at $25,000, the seller responds with a detailed, good-faith counteroffer, and the claimant replies with boilerplate and a higher demand of $35,000. Nothing new supports the increase.
That is not negotiation. It penalizes the seller for engaging, and it shows the number was never tied to the value of the claim. The right response is to:
- point out the escalation in writing;
- restate the unanswered questions about registration, the accused design, and licensing;
- lay out the real sales and apportioned profit figures; and
- make a reasoned counteroffer with a firm deadline and clear release terms, including dismissal with prejudice, withdrawal of the platform complaint, and release of any account restraint.
Put all of it under Federal Rule of Evidence 408. A clear record of reasonableness matters if the case goes further.
7. What Not to Do
- Don't ignore the lawsuit. Schedule A defendants who don't appear risk default judgments and continued account freezes.
- Don't pay the opening demand without checking registration timing and apportioned profits.
- Don't send your raw sales reports without advice. An accurate summary, under Rule 408, is usually enough to negotiate.
- Don't keep selling the accused design once you have notice. Continued sales can support a willfulness argument.
Frequently Asked Questions
How much can I be sued for if one design in my Amazon bundle infringes a copyright?
If statutory damages are available, the range is $750 to $30,000 per work infringed, not per unit sold. The court may raise the award to $150,000 only if the copyright owner proves willful infringement, and may lower it to $200 if the seller proves it was not aware and had no reason to believe it was infringing. If statutory damages are not available, the owner is limited to actual damages and the profits attributable to the infringing design.
Are statutory damages always available in a copyright case?
No. Under 17 U.S.C. § 412, statutory damages and attorney's fees are not available for infringement that began before the work was registered, unless the work was registered within three months after first publication. Always ask the claimant for the registration certificate, the effective date of registration, and the date of first publication.
Does the copyright owner get all of my bundle profits if only one item is accused?
No. Under 17 U.S.C. § 504(b), the owner may recover only the profits attributable to the infringement. Where the accused design is one component of a larger product, profits must be apportioned between the accused design and everything else that drives sales, as the Supreme Court held in Sheldon v. Metro-Goldwyn Pictures Corp.
Is it willful infringement if I bought the product from a wholesale supplier?
Willfulness requires knowledge or reckless disregard of infringement. A reseller that bought finished goods from a supplier's standing catalog, did not design or copy anything, and had no notice of the claimant's work has strong arguments against willfulness, although the outcome depends on the facts, including any copyright notice on the original work.
What does it mean when the plaintiff raises its settlement demand after my counteroffer?
Raising a demand after a good-faith counteroffer, without new facts, is a pressure tactic that penalizes the seller for negotiating. It often signals that the number is not tied to the real value of the claim. The right response is to document the actual economics, insist on registration and licensing evidence, and put a reasoned counteroffer in writing.
Should I settle a Schedule A copyright case or fight it?
It depends on registration timing, the strength of the similarity claim, the profits attributable to the accused design, and the cost of defense. Many cases settle for a fraction of the opening demand once the seller documents its sales and challenges statutory damages. A seller should get advice before paying or ignoring a demand, because default judgments and account freezes can follow.
Named in a Schedule A Copyright Case?
AMZ Sellers Attorney® defends Amazon, Walmart, eBay, Etsy, and TikTok Shop sellers in Schedule A lawsuits and copyright demands nationwide. Founding attorney Kenneth G. Eade has practiced law since 1980 and was a seven-figure Amazon FBA seller before founding the firm in 2017.
Contact us at [email protected] or call +1 888 806 2440.
This article is general information, not legal advice. Reading it does not create an attorney-client relationship. Results depend on the facts of each case.

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